I never play amps with reverb tanks in them. Not because I don't like reverb tanks, but because you'll usually find me blasting a full stack JCM800 on stage, or some other marshally setup, whatever is available.

I do need reverb though, and one thing I've found to be surprisingly difficult, is finding a very modest, very mild, very naturalistic and user-friendly reverb. They just don't make them, do they?

Well, we do.
FJÆR is kind of like a spring reverb, but that's not really the point. The point is to offer a reverb that in fact does elevate your sound, without dipping you into synthetic, ambient-focused, supernatural reverb tones. Those are cool too, but that's not what we're doing here. I wanted an algorithm that felt like your instrument itself is being dropped into a grand space of natural reverberation. I didn't want it to sit in parallel with your core sound, or to overtake it. I wanted what reverb feels like, in the real world. Fjord Fuzz' digital engineer Eirik Nordstrand delivered.

FJÆR offers fully independent wet and dry faders with optional drive and clipping on each channel. It also holds a finely tuned, intentionally lossy, analogue low pass filter on the reverb alone, allowing you to precisely tuck it in behind your playing.

The expression pedal input and secondary momentary switch both allow you to extend the reverb tail infinitely should you want to dig deeper into the stretchy synthetic sounds it still offers, but even then, you'll always find yourself surrounded by organic, familiar space, a charming, comfortable atmosphere within which you can let your guitar sing and your mind wander.